“I wanted to be a coward,” he said, “to keep out of the fight. I thought of the shame, of the petty persecutions—that even you might despise me. But I couldn’t. I was always seeing His face before me with His beautiful tender eyes, and the blood drops on His brow. It is He alone can save the world. It is perishing for want of love; and by a little suffering I might be able to help Him. And then one night—I suppose it was a piece of driftwood—there rose up out of the sea a little cross that seemed to call to me to stretch out my hand and grasp it, and gird it to my side.” Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her.!

The blood was flowing back into her veins. “Oh, it wasn’t your fault,” she answered. “We must make the best we can of it.” “You won’t mind Robert not wearing evening dress,” she said. “He never will if he can help it. I shall just slip on a semi-toilette myself.”

“I can’t,” he answered. “I’m too great a coward.” Joan shot a glance. The girl was evidently serious. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.